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Choosing Death: The Improbable History of Death Metal and Grindcore, by Albert Mudrian, John Peel
PDF Ebook Choosing Death: The Improbable History of Death Metal and Grindcore, by Albert Mudrian, John Peel
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This exciting history, featuring an introduction by famed DJ John Peel, tells the two-decade-long history of grindcore and death metal through the eyes and ringing ears of the artists, producers, and label owners who propelled them.
- Sales Rank: #453387 in Books
- Brand: Brand: Feral House
- Published on: 2004-10-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, 1.03 pounds
- Binding: Paperback
- 288 pages
- Used Book in Good Condition
From Publishers Weekly
Mainstream rock fans may not be familiar with Cannibal Corpse, Napalm Death or Carcass, but over the past 20 years these groups' blend of punk and heavy metal—their grisly lyrics, mile-a-minute rhythms and macabre album art—have found an enthusiastic, loyal fan base of mostly young, almost exclusively male listeners. Mudrian, editor-in-chief of Decibel magazine, condenses painstaking and lengthy interviews to create this informative history of death metal, covering the genre's origin in small clubs and basements on two continents; its spike in popularity and major-label interest circa 1992 ("Godflesh could be the next Nine Inch Nails"); the relative obscurity that followed; and the music's rebirth in recent years. What's astonishing is how normal so many of the featured players seem: behind the facade of Satan-worshipping, gore-flinging aggression, they're mostly a bunch of hardworking dudes who love the music and the outlet it provides for pent-up anger and energy. Mudrian aims largely at fans, and his exhaustive research may tire readers who bring nothing but curiosity to the book. New death metal fans, conversely, will read with an eye to expanding their collections, while older listeners will undoubtedly enjoy the memories and the gossip, along with the fanzine-quality band photos that complement text throughout. John Peel, one of Great Britain's most respected and influential DJs, offers an entertaining introduction.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Mudrian details two of the more esoteric subgenres of heavy metal in appropriate fashion, that is, with photos of the bands, but not definitions of and distinctions between, say, death metal and black metal, abounding. By and large, Mudrian treats grindcore and death metal as interrelated approaches to the verbally gloomy, power-chording world of heavy metal that are leavened by a stiff dose of the punk do-it-yourself ethos and created by musicians who "grew up on traditional heavy metal, thrash and speed metal, punk, industrial and hardcore." Taxonomic considerations aside, Mudrian provides conversational histories of such bands as Cannibal Corpse, Darkthrone, and Sepultra and highlights of interviews with leading subgenre movers and shakers. Altogether, the book is similar to the three Decline of Western Civilization documentaries of outsider music, minus those films' endearing footage of substance abuse and other suicidal behaviors. An excellent shelf mate to Moynihan and Soderlind's Lords of Chaos: The Bloody Rise of the Satanic Metal Underground (1998)--not as scary for fans' parents but just as insightful and comprehensive. Mike Tribby
Copyright © American Library Association. All rights reserved
Review
(F)ocuses less on the sensational and more on the music... digs much deeper underground into the scene's two-decade-long history... -- Dazed & Confused, December 2004 - Book of the Month
(T)he most informed and comprehensive document on death metal... the ultimate overview of heavy metal's ugliest, most obnoxious, bastard offspring. -- Terrorizer Magazine
A tale of true underground metal, lovingly told... Such an enjoyable read... A must for the purist and the novice. -- Kerrang - Best Books of the Year (#4, 2004)
Most helpful customer reviews
22 of 23 people found the following review helpful.
Absolutely addicting!!
By Dave
Having not caught the death metal bug until 1991, there was a lot of pre-90's groundwork that was being laid while I was in high school listening to Slayer, Megadeth, Testament, Anthrax, etc., thinking they were the heaviest bands on the planet. This book shows exactly what was going on under the radar during those formative years, which led to the death metal explosion in the early 90s. This book tells you exactly who made what happen and how some of my now favorite bands came to be, and how they first got their exposure. It details how the major label feeding frenzy of 93-95, combined with other factors, almost destroyed death metal, and who kept the genre going after the dust had settled. It documents how the genre was reborn in the late 90s and covers some of the key players who now carry the torch into the new millenium. Tons of interviews with bands, label execs, producers, and others involved in the scene and lot of never-before seen photos to add to the visual component. I read it all in one sitting, couldn't put it down. Get it.
22 of 31 people found the following review helpful.
Death's Reply
By Brian Murphy
After reading this book I was slightly disappointed by Mr. Mudrian's first book. As a fan of this type of music, I give him credit for writing about a genre of music that hasn't really been looked at or even taken seriously or even respected (which it deserves a lot of). But the book is almost completely filled with this type of storyline/writing: "so-and-so" starts a band, later he leaves that band and forms a new band. Later on, one of the members of this band leaves and joins the original band that "so-and-so" started. You can just go on with names of people and bands and who joined who and then left and then rejoined...on and on and on....
In other words, it rambles on and doesn't really grab the reader or spark enthusiasm. You can save your time and money and just basically go on a website and look up one of these bands find out about the members (original, new, who came left and joined again) and what other bands sound like them or who they influenced or where influenced by, etc.
What would have made this book great was if there was more of a cohesion between good storytelling of interesting and amusing stories, setting and time details, more fan and outside reflections, etc. The author definitely needs to work on his writing skills (there were a few grammatical and spelling errors - maybe the editor's fault) but stay on this path of writing about interesting and underground subjects.
8 of 9 people found the following review helpful.
Mass Appeal Madness? Not hardly. But Choosing Death still delivers.
By John Humphrey
I bought Choosing Death last Christmas after seeing the quarter-page plug in the back of every issue of Decibel magazine (Decibel's editor-in-chief is Albert Mudrian, author of this tome of death metal history). After literally years of seeing this ad, I decided it was time to give it a chance and see if the book was really up to snuff or not. Even though my taste in metal doesn't lean too far into death metal territory, I still thought it would make for an interesting read, and maybe turn me on to some bands I hadn't heard of before. Choosing Death turned out to be a perfect choice for opening my eyes--and soon after, ears--to all the extreme music I'd been missing out on.
Starting out in Birmingham, England in the early 1980s, Mudrian examines the formative roots of death and grindcore (hardcore punk and crust), before moving into death metal's heyday (popularity explosion in the Floridian and British scenes), its worldwide spread (Swedish death is given a chapter-long examination) and its gradual demise in the late 90s. The final chapter of the book, Altering the Future, recognizes the influence formative extreme music bands have had on current death and grind acts like Nile, Nasum, Arch Enemy, etc. One of the greatest features of this book is how Mudrian's smart and seemingly effortless writing style compliments the exhaustive interviews he's conducted with members of the death metal scene. The unique thing about this book is that the vast majority of its content is all culled from interviews from the musicians, promoters, producers, and artists who were there, making the scene. This gives the book a very genuine, omniscient feel, which at some points lends itself to humor. Another great thing about Choosing Death is the inclusion of so many old flyers, album covers and band photos. It's hard to turn a page without getting another glimpse at what these bands looked like during their prime.
As some reviewers have pointed out, Mudrian's scope of death metal does skew a little heavily toward four biggies in the scene: Carcass, Death, Morbid Angel, and Napalm Death. But I don't feel this was an unfair decision; realistically, these four bands are what defined the genre from an early stage, and its story could not properly be told without giving these acts due credit. Second-wave bands like Entombed, Deicide, At the Gates, Obituary, et. al are also given a close look over, but the real gem in this book is learning about all the underground DM bands I might never have heard of without reading this book. Peripheral metal groups like Repulsion, Autopsy, Grave, Siege and Nihilist are all given several pages (instead of a few cursory sentences) examining their contributions to the genre. Whether you've heard of these lesser known acts or not (most of them were new to yours truly before this book), Choosing Death is your key to unlocking more than you probably ever wanted to know about death metal's woolly history.
One great decision Mudrian made was the inclusion of three appendices in his encyclopedia de metallica. The first one, Cast of Characters, is in the beginning of the book (just before legendary radio producer John Peel's fascinating introduction), and is there to help the reader keep track of the many names that occur again and again in the book's 284 pages. Following the body of the book is a 'Life After Death' section which keeps tabs on where the scene's living causalities wound up after leaving the underground, as well as an awesome 'Choosing Death Essential Discography'. I have actually taken my copy of Choosing Death into my local record shop more than once to remind me of which classic death metal albums my collection is missing (trust me, based on their list alone, my collection is looking pretty shrimpy).
The only gripe I have about Choosing Death is its lack of focus on grindcore. With the notable exception of Napalm Death, whose storied career acts almost as a sturdy timeline as the book progresses, few grindcore acts are given much in-depth coverage. Some important bands get a brief shout-out or two (Brutal Truth, Extreme Noise Terror, Pig Destroyer/Agoraphobic Nosebleed), but after the first couple of chapters, the book focuses almost solely on the advancement of the death genre, and grindcore progenitors are left unexamined toward the end of the book. Another disadvantage of this book is its publishing date; since being published in 2004, extreme music has experienced quite a resurgence, and some of the cream of today's death metal crop weren't even formed or widely noticed four years ago. Then again, this is a slight shortcoming at best, since the book is really meant to offer an in-depth examination into what paths the genre's first and best acts took, and in that sense, it delivers the goods on every page.
Before reading Choosing Death, I had a moderate interest in a few of the bands covered within, and a passing knowledge on those I wasn't so crazy about. After reading the book, I feel much closer to being a bona fide headbanging expert to this interesting cult of popular music history. Whether you just bought your first Carcass album, or were one of the dudes in the pit at those formative Napalm Death shows in Birmingham, there's guaranteed enjoyment in picking up this book. I'd also recommend the superb Choosing Death soundtrack cd as the perfect companion piece. This book would also make an awesome gift for any self-respecting metalhead who does not currently possess it! Bottom line, Choosing Death is extremely informative, flawlessly written, and a ton of fun. What are you doing without it?
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