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A haunting examination of groupthink and mass hysteria in a rural community, presented here with enlightening criticism and commentary
"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote in an introduction to The Crucible, his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria.
In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence.
Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing: "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence."
This Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:
- Selections from Miller's writings on his most frequently performed play
- Essays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documents
- Reviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and others
- Excerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd Schulberg
- Critical essays on the play, on Miller, and on the play in the context of Miller's oeuvre
- An introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography
- Sales Rank: #642340 in Books
- Brand: Miller, Arthur/ Weales, Gerald Clifford (EDT)
- Published on: 1996-01-01
- Released on: 1996-01-01
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x 1.00" w x 5.10" l, .78 pounds
- Binding: Paperback
- 512 pages
Most helpful customer reviews
106 of 112 people found the following review helpful.
A Moving and Brilliant Play
By M. A Netzley
The play's main narrative line tells the story of the Salem witch hunts which took place in Massachusetts, 1692. At a deeper level, Miller raises several powerful and important questions about human life and morality. But the play's most amazing quality is that it is not "deep" or "philosophical" by traditional standards. Miller has, in a short and easy-to-read manuscript, opened the door (or maybe I should say he presents the reader with a mirror) to modern political life.
The play is essentially a crtique of McCarthyism and the the communist scare of the 1950s. Miller saw the parallels between the witch hunts and the McCarthy trials, and found the witch trials to be a compelling vehicle for discussing modern events. Key themes include:
1. People gaining absolution from the powers-that-be by confessing the sins of others.
2. The power of community rituals, such as confession.
3. The role of political opposition and the consequences of compliance (passive or active).
4. The consequences of a polarized world views and mass hysteria.
These are just a few of the themes. The play is quite clearly a great tragedy, but remains a tragedy for our times. Through characters we can connect with, Miller convincingly shows us that the lessons from the witch hunts still apply. As a reader, I am convinced that Miller's play remains relevant and powerful in the twenty-first century. Miller has left me with questions, regarding world events in 2002 and 2003, that I did not have before reading the play.
I read this play in only a couple hours. It is compelling, engaging, and difficult to put down. Personally, I feel this text stands a great chance of making it onto my "top ten" list of best manuscripts. I highly recommend this play.
48 of 50 people found the following review helpful.
Frightening Possibilities
By RCM
As usual, Arthur Miller was in rare form when he wrote "The Crucilble." Although on the surface it is about the Salem Witch Trials, Miller's true inspiration came from the Red Scare that plagued Hollywood in the middle of the twentieth century (and included his pal Elia Kazan). The fact that Miller wove factual history with the hysteria of his day makes "The Crucible" all the more chilling.
Throughout the course of the play, a collection of teenage girls 'confess' to having seen various women and men of the town of Salem with the devil. This hysteria sweeps over the town as even the authorities fall under the sway of these lying young girls. Caught in the middle of these hysteronics is the Proctor family - John and Elizabeth, who have struggled in the past, but are trying to rebuild their marriage. They are rent apart when Elizabeth is suspected of being a witch. John hopes to clear his wife's name, but only manages to make matters worse for both of them.
The hysteria experienced in Salem is chilling in the fact that these sorts of witch hunts occur today, in all different areas of society. "The Crucible" shows how easily people can be swayed, with the barest of evidence, to believe something that is false. Miller's play is extremely well-written and informative, and almost too frighteningly real.
33 of 35 people found the following review helpful.
a great recording
By Amazon Customer
I used this recording this year while teaching "The Crucible". My students loved it!! The emotion conveyed by the cast is SO much better than the typical monotone voice that students use while reading out loud. Even though there were some small parts that are skipped when following along with our textbook, it was completely worth it (and the parts skipped were very small - it was very easy to read it aloud if necessary).
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